This blog is a bit of a ramble through my life. There's a lot about quilting and textile arts, a sprinkle of my family life and some of my thoughts and ponderings. We currently live aboard an old wooden 1945 Navy boat, called MV Cerego, so you'll find me writing about that too. Welcome aboard!

Monday, November 6, 2017

Charlotte Yde, Sharon Bradley and Lynda Brocklehurst on The NZ Quilt Show Podcast

This podcast episode continues my National Quilt Symposium theme with several shorter interviews conducted amongst the hustle and bustle of symposium itself.  Enjoy!

Charlotte Yde is a talented textile artist from Denmark who made the long trip to New Zealand to teach at the National Quilt Symposium 2017.  Charlotte is a delightful woman who generously shared with me the process of making her quilt, 'Life Cycle - Albatross', that was hanging in the tutor's exhibition.

'Life Cycle - Albatross' by Charlotte Yde

Charlotte's quilt reflects the life cycle of the albatross and also comments on the environmental situation of this endangered species.

'Life Cycle - Albatross' detail of the reflective thread (can you see the wing of the flying albatross)

The photo above shows the reflective thread that you hear me ohhh and ahhh over in the podcast.  One of the processes Charlotte uses is deconstructed screen printing, you can learn more about deconstructed screen printing here.

Sharon Bradley from Waitomo SewWorms spoke to me about her merchant stand at Symposium and about her new fusible appliqué product developed by herself called Fusamat.


I love her Kiwi can-do attitude where she saw a product her husband was using in his work as an electrician, thought that it would be awesome for quilting, and then went ahead turned it into a new and exciting tool for us to use.

'France 1917' by Lynda Brocklehurst 

Lynda Brocklehurst was the winner of the postcard challenge.  We discuss what the postcard challenge was all about, what the story behind Lynda's postcard was and we also have a thoughtful discussion about some of the other postcards that were on display.

You can learn more about the embroidered postcards from World War II here.


Thank you to everyone who supports this podcast and helps me tell the stories of our quiltmakers, artists and professionals.  If you would like to support me, head over to iTunes and leave a five star review, pop over to my podbean hosting site and leave a donation, or consider advertising your business by sponsoring an episode.  Email me at theslightlymadquiltlady@gmail.com  Cheers!




Thursday, November 2, 2017

How to make plant prints on fabric

I've been doing some more flora printing - the term I use for making plant prints on fabric.


The last photo I shared (above) generated quite a bit of interest and a few questions, so I thought I'd make a little video to share my process.  Not that it's complicated, but sometimes it's nice to see how someone else does it to give you the confidence and motivation to try it yourself.



So, have a watch, tell me what you think and whether it's something you've had a go at.  In the video I show a book cover that I've made with the plant printed fabric.  You can find the tutorial on how to make the cover here.


Above is the finished book cover that I started in the video and below is another (sorry about the distracting fabric it's lying on) plus some cards I made with the same technique.



Enjoy!

Monday, October 30, 2017

Donna Ward Best in Show Winner on The NZ Quilt Show Podcast

After the last podcast episode with Brenda Gael Smith, the chief judge of The NZ National Quilt Symposium 2017, and listening to her discuss the exhibition judging and the Best in Show winner, I thought the next interview to post should be with the lucky winner herself so we could get her take on her prize-winning work.

Donna Ward (R) and her daughter, Ashleigh.

Donna Ward was the Best in Show winner at symposium with her quilt 'Fly'.  Donna owns Donna's Quilt Studio in Hamilton with her daughter Ashleigh (who you will hear mentioned in the podcast), and she is a delight to talk to.  Her excitement at winning was infectious and you can hear the huge smiles we were wearing as we talked!

https://www.quiltsymposium2017.org.nz/exhibitions/and-the-winners-are
To see a better image, head over to the Symposium website by clicking here.

Donna also won the Best Piecing award with her english paper pieced quilt 'Chasing Rabbits' and 'Fly' won the merit award in this category.

To see a better image, head over to the Symposium website by clicking here.

Donna has some exciting news that I didn't get to share on the podcast.  Ashleigh and Donna are running a Quilting Spectacular Tour next year - a month long trip to the UK to visit the Festival of Quilts in Birmingham, including a class at the Royal School of Needlework, a visit to the V and A Museum, a week long cruise on the Danube, and so many other visits and delights you'll just have to head over to the website to read them for yourself!

It sounds like an amazing trip and if the kids were older and not eating me out of house and home, I'd have already signed up!

This is just a short episode.  I am planning to combine some of my other short symposium interviews but I thought this one should stand on it's own.  Congratulations to Donna!


Thank you to everyone who supports this podcast and helps me tell the stories of our quiltmakers, artists and professionals.  If you would like to support me, head over to iTunes and leave a five star review, pop over to my podbean hosting site and leave a donation, or consider advertising your business by sponsoring an episode.  Email me at theslightlymadquiltlady@gmail.com  Cheers!



Download this episode (right click and save)

Sunday, October 29, 2017

Putting Down Roots Series II

Examples from my 100 days project

In my last post I showed a couple of quilts that were inspired by my paper cutting 100 days project.  They are showing at Kings Theatre Creative for the next few weeks, along with the quilt I'm showing today called 'Belonging'.

Belonging by Charlotte Scott 43cm x 55cm $195 

This quilt is a nod to landforms that have dominated the areas where I've spent much of my life.  Kapiti Island is the first.  It dominated the horizon in the area I grew up and whenever I see images of it something twangs inside me.

Kapiti Island.  The original uploader was Grutness at English Wikipedia - Transferred from en.wikipedia to Commons., CC BY-SA 3.0

The other peak that fills my horizon these days is up the far end of the Waikare Inlet.  It's constantly changing colour, sometimes wreathed in mist, occasionally covered in cloud.  I don't even know what it's called and can't find it on a map, but it forms one of the backdrops in my daily life.


These are the two areas in New Zealand where I've spent the longest time, where I've put down roots by growing up in the area or by moving there and consciously deciding to make my life there.

Belonging (detail) by Charlotte Scott 

I don't think I'm done with this series yet.  There are more variations with the branch and root imagery that I'd like to try.  Different ways of saying what I'm thinking or feeling.  And I like that it's the sort of symbol that has rich meaning for others too.

E noho rå!

Wednesday, October 25, 2017

Putting Down Roots

Kings Theatre Creative, in the main street of Kawakawa, is my local gallery.  They close down over Winter for the most part, only running some workshops and programs, and this Winter they did some renovations, but then they open up in Spring and it's always exciting to see what new work and what new artists are showing!

They opened last weekend after a last push to get the floor painted (I rolled up my trousers and lent a bit of a hand) and it looks fabulous.  I have three works hanging on the wall and I'm pretty pleased with how they look.  There are a couple of smaller works in the cabinets from the same series too.

Roots by Charlotte Scott 14cm x 57
Above is the first work in the series.  Do you remember my 100 days project - 100 days of scissors and paper cutting?  The branch shape emerged again and again for me during that project so I wanted to explore it further, but in my favourite medium - fabric.

Some of my 100 Days of Scissors project
And of course I got to thinking about what these branch shapes mean, and how they are also root shapes, which lead to thoughts about how I'm always wondering who I am and whether I actually belong anywhere in particular, whether I have strong roots in this area I've been transplanted to.

Establish and Spread by Charlotte Scott 24cm x 85cm
Unfortunately these wide shaped quilts don't fit blogger very well, but they look pretty cool on the wall!

The second quilt in the series continues my pondering of putting down roots and then using these as a foundation to shoot away and 'bloom where you are planted'.  I was still working with the branch shape.  It's such a fascinating shape and the patterns are reminiscent of rivers, tributaries, neuron pathways - all sorts of meaningful things.

This one has some hand stitching on it too.  The cross stitching joins two pieces of the grey silk together and it was a bit of a metaphor for stitching together disparate parts of my history into the person I am today.

Establish and Spread - detail by Charlotte Scott
I'll show you another of the quilts in the series in my next post, but in the meantime, if you are visiting Northland, then call in at Kawakawa, use the famous Hundertwasser public toilets and visit Kings Theatre Creative and tell me what you think.